Ethan Walker
Lobe den Herren is a famous tune sung in many Christian churches, including Catholic services. The hymn Praise to the Lord, the Almighty, the King of Creation is commonly sung to this tune, with words based on Psalms 103 and 150. The German original was written by Joachim Neander and published in 1680, with an English translation by Catherine Winkworth published in 1863. The melody, which probably originated as a folk tune, is often used to accompany processionals and is well-suited to festival services and Harvest/Thanksgiving observances.
| Characteristics | Values |
|---|---|
| Original Language | German |
| Author | Joachim Neander |
| First Published | 1680 |
| Tune | Lobe Den Herren |
| Translation | Catherine Winkworth |
| Translation First Published | 1863 |
| Translation Common in Modern Hymnals | Yes |
| Number of Published Texts | 213 |
| Number of Verses | 4-5 |
| Lyrics | Praise to the Lord, the Almighty, the King of creation! O my soul, praise him, for he is your health and salvation! Come, all who hear; now to his temple draw near, join me in glad adoration. Praise to the Lord, above all things so wondrously reigning; sheltering you under his wings, and so gently sustaining! Have you not seen all that is needful has been sent by his gracious ordaining? Praise to the Lord, who will prosper your work and defend you; surely his goodness and mercy shall daily attend you. Ponder anew what the Almighty can do, if with his love he befriends you. Praise to the Lord! O let all that is in me adore him! |
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What You'll Learn
- 'Lobe den Herren' is a famous tune sung in many Christian churches
- The hymn is based on Psalm 103 and Psalm 150
- The original German version was written by Joachim Neander and published in 1680
- The English translation was published by Catherine Winkworth in 1863
- The hymn is suitable for Harvest/Thanksgiving observances
'Lobe den Herren' is a famous tune sung in many Christian churches
Lobe den Herren is a famous tune sung in many Christian churches. The German hymn, written by Joachim Neander and published in 1680, is based on Psalm 103 and Psalm 150. The text was translated into English by Catherine Winkworth in 1863, and this version is the one most commonly found in modern hymnals. The melody, which likely originated as a folk tune, has been described as strong and singable with a solid, rational arrangement. It is often used as a processional and is well-suited to festival services and Harvest/Thanksgiving observances.
The hymn has a long history in Christian worship and has been the subject of various musical arrangements. For example, Johann Sebastian Bach used the chorale as the base for his cantata "Lobe den Herren, den mächtigen König der Ehren" in 1725. The tune has also been adapted for different instruments, including the organ, with an accompaniment available in three different key signatures: middle, high, and low.
In Catholic parishes, "Lobe den Herren" is a familiar tune often included in hymnals for Catholic schools. It is also one of the standbys for the music director at a Catholic parish in Southern California, who chooses the music for liturgical services. The hymn is well-suited to Catholic liturgical music and can be adapted for different instruments and vocal ranges.
"Lobe den Herren" is a well-loved hymn that has been sung by Christians for centuries. Its majestic and devoted nature perfectly matches the text of Joachim Neander's hymn, which extols praises to God. The tune's enduring popularity is a testament to its ability to inspire and uplift those who sing it in worship.
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The hymn is based on Psalm 103 and Psalm 150
The hymn "Praise to the Lord, the Almighty" is based on Psalm 103 and Psalm 150. The text of the hymn is loosely based on these psalms, incorporating imagery of praise from throughout the Psalms. The hymn was first written in German by Joachim Neander and published in 1680. It was later translated into English by Catherine Winkworth in 1863, with the fourth and fifth verses being translated anonymously.
Psalm 103 is a psalm of praise and thanksgiving to God. It begins with the words, "Bless the Lord, O my soul, and all that is within me, bless his holy name!" (Psalm 103:1). The psalmist goes on to list the many reasons for praising God, including his forgiveness, healing, redemption, and mercy. He also praises God for his righteousness and justice, especially towards the oppressed.
Psalm 150 is also a psalm of praise, calling on all people and all things to praise God. It says, "Praise the Lord! Praise God in his sanctuary; praise him in his mighty heavens. Praise him for his acts of power; praise him for his surpassing greatness" (Psalm 150:1-2). This psalm emphasizes the use of musical instruments in praising God, mentioning the trumpet, harp, lyre, timbrel, dance, stringed instruments, flutes, and cymbals.
"Praise to the Lord, the Almighty" reflects the themes of praise and thanksgiving found in Psalms 103 and 150. Each stanza of the hymn addresses a different aspect of God's nature, including creator, sovereign, defender, refuge, and protector. The hymn invites all people to join in glad adoration and praise of the Almighty.
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The original German version was written by Joachim Neander and published in 1680
"Lobe den Herren" is a German-language hymn written by Joachim Neander and published in 1680. The hymn, whose title translates to "Praise to the Lord, the Almighty, the King of Creation" in English, is based on Psalm 103 and Psalm 150. The text of the hymn was first written in five stanzas, with each stanza addressing a different aspect of the nature of God, including creator, sovereign, defender, refuge, and protector.
The melody used by Neander was first published in 1665 and is believed to have originated as a folk tune. Several variants of the melody were published with various secular texts between 1665 and 1680, before Neander published his German hymn with the same meter in 1680. The hymn has since been translated into English several times, with the most common translation in modern hymnals being by Catherine Winkworth, published in 1863. Winkworth's translation has been critiqued by hymnologist Lionel Adey as an example of "muscular Christianity tinged with Philistinism".
"Lobe den Herren" has been used as the basis for several musical compositions, including Johann Sebastian Bach's chorale cantata BWV 137 in 1725, and chorale preludes for organ by Johann Gottfried Walther, Johann Kirnberger, and Max Reger. The German choral composer Hugo Distler also produced a popular arrangement of the hymn for a cappella chorus.
Today, "Lobe den Herren" is still sung in Catholic traditional hymnals, with organ accompaniments available in three different key signatures: middle, high, and low. The hymn is a powerful example of German hymnody from the period, inflected by Psalms and expressing wonder in the natural world as indicative of God's living presence.
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The English translation was published by Catherine Winkworth in 1863
"Praise to the Lord, the Almighty" is a Christian hymn based on Joachim Neander's German-language hymn "Lobe den Herren, den mächtigen König der Ehren", which was first published in 1680. The melody used by Neander was first published in 1665 and is likely based on a folk tune. The text is loosely based on Psalm 103: 1-6 and Psalm 150, pulling imagery of praise from throughout the psalms.
Catherine Winkworth, in 1863, published her English translation of Neander's hymn. Winkworth translated the first three verses of the original text, while the fourth and fifth verses were translated anonymously. Winkworth's translation has become the version most commonly appearing in modern hymnals. Hymnologist Lionel Adey uses it as an example of translators reshaping a text to the tastes of their era. He notes that Winkworth introduces a mention of "health", which is more typical of 19th-century Christianity, while discarding the German Renaissance flavour of psaltery and harp found in the original.
Winkworth's translation begins:
> Praise to the Lord, the Almighty, the King of creation!
> O my soul, praise him, for he is your health and salvation!
> Come, all who hear; now to his temple draw near,
> Join me in glad adoration.
Each stanza in Winkworth's translation, as with the original, addresses a different aspect of the nature of God: creator, sovereign, defender, befriender, refuge, and protector.
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The hymn is suitable for Harvest/Thanksgiving observances
"Praise to the Lord, the Almighty", also known as "Lobe den Herren", is a Christian hymn that is well-suited for Harvest and Thanksgiving observances. The hymn, with its strong and singable tune, has been a favourite among many Christian churches. The text of this hymn is based on Psalms 103 and 150, with each stanza addressing a different aspect of God's nature, including creator, sovereign, defender, refuge, and protector.
The hymn was first written in German by Joachim Neander and published in 1680. The English translation, by Catherine Winkworth, was published in 1863. The tune "Lobe den Herren" was first published in 1665 and is likely based on a folk tune. With its brisk tempo and trumpet call opening, "Lobe den Herren" is often used as a processional and is a perfect fit for Harvest and Thanksgiving celebrations.
The hymn's message of praise and thanksgiving aligns with the themes of gratitude and abundance typically associated with Harvest and Thanksgiving observances. The text, which includes lines such as "Praise to the Lord, the Almighty, the King of creation!" and "Praise to the Lord, who will prosper your work and defend you", expresses gratitude for God's creation, providence, and protection.
The hymn's rousing and stirring setting, particularly when accompanied by brass, timpani, and organ, adds to its festive and celebratory nature, making it an ideal choice for Harvest and Thanksgiving services. The combination of instruments and voices in the final stanza creates a climactic and triumphant finish, befitting the joyous and grateful spirit of these occasions.
"Lobe den Herren" has been included in numerous hymnals and is a well-loved and familiar tune for many congregations. Its inclusion in Harvest and Thanksgiving observances not only reflects its musical qualities but also its theological appropriateness, as it invites worshippers to join in glad adoration and thanksgiving to God for His bountiful blessings.
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Frequently asked questions
'Lobe den Herren' is a hymn tune that is sung in many Christian churches. It is the common name given to the melody of the German-language hymn "Lobe den Herren, den mächtigen König der Ehren", written by Joachim Neander and published in 1680.
The original German lyrics to "Lobe den Herren, den mächtigen König der Ehren" were written by Joachim Neander and published in 1680. The English translation most commonly appearing in modern hymnals is by Catherine Winkworth, published in 1863. Here are the English lyrics:
> Praise to the Lord, the Almighty, the King of creation!
> O my soul, praise him, for he is your health and salvation!
> Come, all who hear; now to his temple draw near, join me in glad adoration.
> Praise to the Lord, above all things so wondrously reigning;
> sheltering you under his wings, and so gently sustaining!
> Have you not seen all that is needful has been sent by his gracious ordaining?
> Praise to the Lord, who will prosper your work and defend you;
> surely his goodness and mercy shall daily attend you.
> Ponder anew what the Almighty can do, if with his love he befriends you.
> Praise to the Lord! O let all that is in me adore him!
The melody of "Lobe den Herren" was first published in 1665 and is probably based on a folk tune. The text is loosely based on Psalm 103: 1-6 and Psalm 150. The English translation by Catherine Winkworth was published in 1863, and the hymn has since appeared in numerous hymnals and has been set to music by composers such as Johann Sebastian Bach.
"Lobe den Herren" is a well-known hymn in Catholic liturgy and has been included in hymnal for Catholic schools. It is often used as a processional due to its summons ("All ye who hear, now to His altar draw near"). It can also be used as an Offertory hymn during the Liturgy of the Eucharist.
